Wednesday, April 25, 2012

Week Five: Post #5 (Modernity and Masculinity in 19th Century France)


I will be discussing the difference between the work of Gustave Caillebotte specifically Floorscrapers, 1875 and an impressionist work of Claude Monet On The Bank Of The Seine, Bennecourt, 1868. In the work of Caude Monet he is taking realism to an extreme while Caillebotte’s work seems to align itself more with realism. A clear line can be drawn between Floorscrapers and the work of Gustave Courbet in The Stone Breakers. Both pieces focus on the monotony and darkness of real work and the working class. Both images depict men down on the ground grinding it out in hard repetitive work. This contrasts Monet’s depiction of a seemingly rich bourgeois woman enjoying a beautiful afternoon without work or obligation. I find the Floorscrapers piece to be an amazing study of light and its effect in a poorly lit or unlit room. However it is not a scientific snapshot of the way that light effects reflection and shadow in the way that the Monet piece On the Bank of the Seine, Bennecourt does.

The Monet piece is a textbook example of impressionist painting featuring an outdoor depiction of urbanized Paris depicting a split second in time. Perhaps the woman sitting on this bank only sat down for a brief moment and surly the boats moved out of the frame moments later. Yet comparatively in the Caillebotte painting this has the weight and feeling of an activity that goes on all day or perhaps even days on end. In Contrast as well, this is an indoor scene, it reminds me again of the grittiness of realism because it shows reality. In order for these outdoor scenes of modernized, industrialized paris to exist the reality of the floorscrapers is what had to happen.

The Monet piece is painted in plein air and alla prima with speed and impasto brush strokes. While Caillebotte’s painting seems to have much more time spent with a thinner application of paint, again it is depicted indoors. Comparitivly the Floorscrapers also features illusionism in perspective with the room tilted up as in the woodblock prints from Japan while Monet’s piece features very straightforward linear perspective. Floorsrapers also depicts half naked men showing more of the academic interests in the celebration of the human form and nudity. Comparatively Monet depicts a woman very modestly covered.  While Caillebotte is aligning himself more with certain stylistic aspects that fit more with the academy, the way that the men’s faces are turned down and obscured by darkness would not have been approved of by the academy. It has that in common with the work of Claude Monet, I suppose that neither composition would have sat well with members of the academy. Both pieces seem to be inspired by photography.  Based on the cropping of each composition, the way the window and man on the left are cropped halfway in the Floorsrapers and the way that Monet’s piece looks like it is perfectly framed for a photograph. In conclusion while these paintings are similar in style, yet when examined more closely they are very different. They may draw from some of the same influences however the work of Caillebotte seems to me to have much more depth in composition.

4 comments:

  1. You said early in your post that unlike the woman on the bank the floor scrappers do not approach light in the same scientific way. I disagree with this. Caillebotte uses various different aspects from impressionism in his painting while still adding his own bit of flare. I feel as though light and dark is still being played with scientifically just not quite in the same manner. The light in the middle of the floor and on the beams is very vauge in the way its shown. It is almost smudged on to give a certain affect that the eye will eventually pick up. Both of these paintings are packed with meaning and although they may appear to be very different they each describe their own little bit of history using many of the same techniques fashioned to fit each artists' style and subject matter.

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  2. It's interesting because it seems that Caillebotte doesn't fall into any definite category. He has some impressionist characteristics like his use of light and color, he shows interest in anatomy which is favored by the academy, and he is showing men doing hard labor which is a characteristic of realism. This must be why his work is so intriguing.

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  3. I am interested in the portrayal of the wet wood in the Caillebotte piece. Both pieces have an accurate portrayal of light's interaction with water.

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  4. I also am very interested within the usage of lighting and color that Caillebotte applies to his works. I also think you have made an interesting comparison within these two artists.

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